This is a relatively short postscript to my recent post on Aragorn and the self-distance he consistently displays in his identifying with his “Strider” identity. In researching and preparing that post, I noticed a really small detail that’s previously escaped me. Right near the beginning of their conversation in the Prancing Pony, Strider offers to the hobbits that he may be able to tell them something to their advantage, and the following exchange takes place: ‘Several things,’ answered Strider. ‘But, of course, I have my price.’ ‘What do you mean?’ asked Frodo sharply. ‘Don’t be alarmed! I mean just this:…
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This is a relatively minor observation, but I’ve been fascinated for some time by Aragorn’s surprisingly clear self-delineation between “himself” and “Strider”. It is a relatively simple thing to see “Strider” as being but another alias for the Ranger, and it’s often treated as such by commenters on the story. Yet a close reading of how Aragorn himself speaks of Strider creates a strong impression (to me, at least) that Aragorn sees Strider as being a character…at least initially. Arguably, the most memorable indication of this separation comes during Aragorn’s rebuke to Boromir at the Council of Elrond, in which…
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There has never been a better time to be a fan. Games, shows, films, books, covering every conceivable property and continuing the story of every beloved character imaginable inundate us daily. And to ensure that your fandom is never bereft of content, podcasts and YouTube videos and listicles cover every facet of every fandom constantly. Extraordinarily comprehensive wikis exist for every imaginable topic – you wanna get the deep dive on Batman? I’ve got you covered. Oh, I’m sorry, you meant Batman specifically? No problem. Wait, you meant Batman specifically as in Batman portrayed by Christian Bale in Nolan’s trilogy? …
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The Tale of the Children of Húrin has, rather fairly, earned a reputation as being the grimmest and saddest of all Tolkien’s stories. Indeed, its presence in a mythological world permeated by the eucatastrophe may seem incongruous to first-time readers, used to the inherent hope and joy of Arda (and perhaps not yet cognizant of just how deeply tragic and bittersweet it often proves). The implications of its unyielding tragedy, of Túrin and the potentiality of his free will, and the justifiability of the various choices he makes along his long and destructive road are all themes that have been…
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It is with absolute pleasure that I am able to finally announce the Blog of Mazarbul’s new project – a work of analysis so audacious, so comprehensive, and so important, that it may very well change the face of Tolkien scholarship forever. I, like many of my tens of readers, enjoy listening to the occasional podcast, watching a video essay, or reading some piece of analysis on Tolkien’s works. There are, of course, many brilliant and worthwhile discussions, reviews, analyses and classes available online for those interested in studying Tolkien’s The Lord of the Rings and other associated works. But…
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