The Tale of the Children of Húrin has, rather fairly, earned a reputation as being the grimmest and saddest of all Tolkien’s stories. Indeed, its presence in a mythological world permeated by the eucatastrophe may seem incongruous to first-time readers, used to the inherent hope and joy of Arda (and perhaps not yet cognizant of just how deeply tragic and bittersweet it often proves). The implications of its unyielding tragedy, of Túrin and the potentiality of his free will, and the justifiability of the various choices he makes along his long and destructive road are all themes that have been…
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It is with absolute pleasure that I am able to finally announce the Blog of Mazarbul’s new project – a work of analysis so audacious, so comprehensive, and so important, that it may very well change the face of Tolkien scholarship forever. I, like many of my tens of readers, enjoy listening to the occasional podcast, watching a video essay, or reading some piece of analysis on Tolkien’s works. There are, of course, many brilliant and worthwhile discussions, reviews, analyses and classes available online for those interested in studying Tolkien’s The Lord of the Rings and other associated works. But…
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Something that’s long struck me as being worthy of investigation and consideration is the subtle and quiet character journey that Aragorn undergoes throughout The Lord of the Rings. It’s something I might dip into a few times this year, as (despite the not infrequent criticisms that he is a flat and uninteresting character in the books) I truly believe there is much of merit to be gleaned. Aragorn may seldom serve as the point of view character, and is undeniably already fully realised as a hero when he meets the hobbits in Bree…yet he does have an arc, I think.…
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A businessman, on his way to an important conference, checks into his hotel. The businessman is rude, brusque, demanding. Ungracious and ungrateful, he is ready to make all sorts of imposing and unreasonable demands upon the cozy hotel’s staff. But today, he has met his match. Over the next half hour, the businessman will be subjected to a wide range of increasingly bizarre indignities, as the hotel staff leer at him through his window. “Nice legs” one of them coos at him as he hurries away. Another lurks for him in his room, hidden behind a corner until the businessman…
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The Man with the Golden Gun is not a great Bond film. Indeed, it isn’t even a particularly good film. It’s by no means the worst Bond film ever made (I can think of three or four that I loathe much more off the top of my head), but it’s either the best of the bad Bond films, or the worst of the mediocre entries. Yet, I think it’s the Bond film we need right now. It might not be the best Bond film ever made, but I think that The Man with the Golden Gun is the best Bond…
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