It’s somewhat surprising that, of my nebulous top ten-ish favourite films, there are two that both came out in 2016, are both decidedly off-kilter and odd in their own ways, and are both ‘cult’ films to an extent – beloved by their fans, but little-known beyond those circles. We’ve discussed The Nice Guys on this site before, and today it’s time to turn to what is (in the Blog of Mazarbul’s household) its improbable companion piece – certainly, these two movies have been rewatched more than any other by my wife and I! So, today, I figured I’d write up…
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Something that’s long struck me as being worthy of investigation and consideration is the subtle and quiet character journey that Aragorn undergoes throughout The Lord of the Rings. It’s something I might dip into a few times this year, as (despite the not infrequent criticisms that he is a flat and uninteresting character in the books) I truly believe there is much of merit to be gleaned. Aragorn may seldom serve as the point of view character, and is undeniably already fully realised as a hero when he meets the hobbits in Bree…yet he does have an arc, I think.…
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It is a truth universally acknowledged that a blog with any sort of Tolkien adjacency is in want of a Tom Bombadil theory. The Bombadil Question is not only a perennial fixture for Tolkien’s readers, it may well be the original Middle-earth enigma. Where other Legendarium mysteries are relatively recent preoccupations (how were Orcs first made?) or have been repeated to the point of parody (do Balrogs have wings?), the Bombadil issue remains not only pertinent (if now itself somewhat parodied), but possesses an ancient lineage. Even before The Lord of the Rings was published, Tolkien found himself fielding questions…
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I had a stray thought recently, inspired by Sam’s reluctance to give the Ring back up to Frodo in the Tower of Cirith Ungol. For anyone who needs a refresher, this occurs in Book VI, following Shelob’s Lair and Sam’s taking of the Ring from Frodo’s (seemingly) lifeless body. When Sam finds and rescues Frodo in the tower, he has a moment of hesitation in giving the Ring back: Sam fumbled for the Ring and its chain. ‘But I suppose you must take it back.’ Now it had come to it, Sam felt reluctant to give up the Ring and…
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The Man with the Golden Gun is not a great Bond film. Indeed, it isn’t even a particularly good film. It’s by no means the worst Bond film ever made (I can think of three or four that I loathe much more off the top of my head), but it’s either the best of the bad Bond films, or the worst of the mediocre entries. Yet, I think it’s the Bond film we need right now. It might not be the best Bond film ever made, but I think that The Man with the Golden Gun is the best Bond…
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