But the “consolation” of fairy-tales has another aspect than the imaginative satisfaction of ancient desires. Far more important is the Consolation of the Happy Ending. Almost I would venture to assert that all complete fairy-stories must have it. At least I would say that Tragedy is the true form of Drama, its highest function; but the opposite is true of Fairy-story. Since we do not appear to possess a word that expresses this opposite—I will call it Eucatastrophe. The eucatastrophic tale is the true form of fairy-tale, and its highest function. The consolation of fairy-stories, the joy of the happy…
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To the elvish craft, Enchantment, Fantasy aspires…Uncorrupted, it does not seek delusion nor bewitchment and domination; it seeks shared enrichment, partners in making and delight, not slaves. On Fairy Stories, by J.R.R. Tolkien I’m really stuck on On Fairy Stories at the moment. I mean, if I’m honest, I’ve been thinking about OFS on some level ever since the very first time it truly made an impact on me some years back. But at the moment, it’s obviously really playing on my mind, because wherever I look, I see some fresh relevance to it in my day to day life…
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‘Twas on the borders of Elfland that they met, and this was but the first and the least of the many wonders in their tale. For she was dreaming under a rowan tree when he came swift and soft upon her; and she was wrapped in slumber and crowned with flowers upon her dusky hair. Then startled he cried at this fleeting vision of loveliness and she woke! and saw him elfin-bright, clad in green and of noble bearing, and there was a song in his smile and his feet were light. And she would have fled, but his eyes…
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It is, at long last, time to fulfil one of the promises of the Blog of Mazarbul. Ever since I started writing this blog, I have held true to my idea that it will mostly be about Tolkien. I have veered from the course from time to time to touch on broader concepts in fiction or on specific fictional works, or even to touch on games and the arts and theology. Heck, I’ve even expanded the blog’s scope a little and given myself licence to publish a few short original works of my own on it. But there is one…
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Recovery, Escape, Consolation These three functions are presented by Tolkien in On Fairy Stories as being the noble and proper graces that Faerie and fairy-tale provides; the functions that both serve in their proper form. Fairy stories, Tolkien says, lend a metaphysical comfort and keen succour to the reader who willingly enters into their sub-created enchantment. This is, in a way, a theological function of Faerie – to provide the reader with some fleeting (though not untrue) measure of spiritual bliss. It is perhaps no surprise that the ideas of Recovery and Consolation have often been considered in light of…
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