Ever since I saw Across the Spider-Verse, I’ve been really interested in the journey that Gwen Stacy undergoes in the film. I’ve already talked about the hubris of Miles, Miguel, and even the Spot, and how this is a core thematic element of the story – but Gwen’s very much got her own thing going on. So I figured I’d try and break it down a little here, with the help of one Joseph Campbell and a certain infamous narrative template – but I’m getting ahead of myself. A central plot point of Across the Spider-Verse is the idea of…
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So I’ve actually just come home from rewatching Across the Spider-Verse – partly because damn, I really really like it, and actually also partly because I’ve had a follow-up blog post in mind for some time concerning Gwen and her character’s arc and development throughout the film…and I am impatient and didn’t want to wait for the film’s wide release. That post will hopefully follow in the next few days, but there was one little detail that struck me on this viewing that’s also completely irrelevant, and that struck me as being interesting enough to warrant a short post (especially…
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This isn’t really a blog for reviews – and I’m not about to break form here by even trying to review Spider-Man: Across the Spider-Verse. Apart from anything else, it’s been just over a week since I saw it and I’m still trying to digest it all. So, if you want my review, here it is: go and watch the damn film. Or better, watch Into the Spider-Verse first, and then go out and immediately watch Across. I really enjoyed Into, and Across outdoes it in nearly every aspect. The animation is stunning. The soundtrack is perfect. The script is…
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