It is, I think, sometimes overstated by Tolkien readers just how important the death of Boromir actually is. I do not wish to be misunderstood! Boromir is an important character in his own right, for what he reveals about Gondor as our first representative of that land, and for what he illustrates as regards the insidious dangers of the One Ring. And his death is important, too, for what it sets in motion on a narrative level, and for its serving as proof of his own rejection of temptation and the regaining of his moral fortitude following his weakness. But…
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To attempt by device or ‘magic’ to recover longevity is thus a supreme folly and wickedness of ‘mortals’. Longevity or counterfeit ‘immortality’ (true immortality is beyond Ea) is the chief bait of Sauron – it leads the small to a Gollum, and the great to a Ringwraith. JRR Tolkien, Letter 212 In my previous essay on Death and the Half-Elven, I quoted from this letter in order to illustrate Tolkien’s shifting view on mortality and its root in his own fictional world. In this context, the final sentences merely illustrate that this counterfeit immortality was, to Tolkien, a great evil…
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It is told among the Elves that after Eärendil had departed, seeking Elwing his wife, Mandos spoke concerning his fate; and he said: ‘Shall mortal Man step living upon the undying lands, and yet live?’ But Ulmo said: ‘For this he was born into the world. And say unto me: whether is he Eärendil Tuor’s son of the line of Hador, or the son of Idril, Turgon’s daughter, of the Elven-house of Finwë?’ And Mandos answered: ‘Equally the Noldor, who went wilfully into exile, may not return hither.’ But when all was spoken, Manwë gave judgement, and he said: ‘In…
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Sadness is, perhaps, not an emotion that is often associated with the myriad feelings surrounding generative AI. Anger, despair, fear, suspicion — these will likely be familiar to some. I must confess, I do not as of yet truly understand the more positive emotions some seem to have toward AI LLMs, and so I will not speak to them. Sadness, though, is perhaps not the most obvious emotion — and yet I think it is the one that best describes how I feel about generative AI, and how I have felt for some time. Or, rather better, how I feel…
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Every year, I like to write a little postscript to my September Series posts — something that, while it might be congruent with them in some way, is nonetheless a digression. This year, given that the Series has been comprised entirely of creative works by me, I wanted to do something a little different, and something a little self-indulgent — I wanted to write up a few comments on each piece, to explain something of their origins and what I was interested in working with. This is, of course, a wholly unnecessary exercise in many ways. Ideally, each piece should…
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